9/12/2023 0 Comments Lyrics say yes tim heideckerTH: Ha, yeah. I was in a band in high school and college and I always had a love for music, but I didn't go to a conservatory or anything like that. I think they're still around there, by the way, those proto-Strokes bands. Sixties, retro, proto-Strokes kind of bands. When I was in college in Philly, there was a lot of post-punks. Tim, you went to Temple University, right? Did you find Philly had a really good underground soft rock scene? We'd invite people over to collaborate, which is how we ended up getting Rilo Kiley's Jason Boesel on drums, and their bassist Pierre de Reeder to produce the album. So whenever we had a weekend open, we'd just go over to Tim's and work on it. We thought, "Hey, we should be doing more of this stuff," but it didn't really fit into the show's style of comedy. Tim set up a little studio office in his house with a piano, and we had been working on a song, I think it was for Aimee Mann to sing for "Tim and Eric." (The song ended up as " Heart.") So during that session, we started messing around with this other tune (what eventually became "Weatherman") and it made us laugh, but we knew it would never be on the show. So there is a process that goes into it, but it's not too deliberate.ĭW: It was a really organic process, years in the making. For "Life on the Road" we just thought of that classic entertainer: that pathetic, whining, "how hard is life" kind of rock star. Sometimes it was just nonsense words, but early on we realized that all the songs had these cultural reference points to them. I don't think we ever thought, "We want to write a song about this," we just started toying around with the music. TH: Each song was written so far apart from each other, either at a guitar or a piano. Like "Weatherman" is about a car crash, "A Song for My Father" is about a boy and his dad, and "Life on the Road" is the classic tale of "the lonely life of an entertainer man." Do you approach these stories the same way you approach sketch writing? I notice a lot of these songs - as soft rock ballads tend to do - tell these stories with pretty cohesive narratives. It's just not that funny unless you actually have some love for it. It wouldn't be worth doing to just make fun of an era of music. A lot of people, it's not the music they assumed we'd like.ĭW: I think "Tim and Eric" fans in general have learned not to be surprised by anything.ĭW: The sincerity is key, it's a necessity. They weren't expecting it, but I think the best thing we can do is present things our fans wouldn't expect. I think we have a wide swath of different kinds of fans, and a lot of them have taken it pretty well. "A Song for My Father" is pretty sincere.ĭo you think your fans are going to have a hard time relating to some of the more sincere parts of the album? There shouldn't be anything inherently silly about any of the melodies, but some of the lyrics have a little more humor to it. I've been known to cry.ĭavin Wood: I think Tim's mentioned before how that song comes the closest to something that's relatable to most people. Tim Heidecker: I found when I'm hung over I'm always a little extra emotional, a little depressed. I've spent all day walking around listening to your song "A Song for My Father." I don't know if I'm hung over or what, but that song's really spoken to me today. In phone conversations to both Davin and Tim, we discussed their reasons for making this album, a love of nonsensical rock lyrics, and the sincerity of comedy. The album, released last week, is such a marked departure from what we're used to seeing on "Tim and Eric" that it was almost a reaction against Tim and Eric Wareheim's public persona, in which the duo often show up to interviews in character (like their recent Conan appearance, which seemed to freak out even Coco). Two weeks ago, I wrote about the unexpectedly unaffected soft rock album " Starting From Nowhere," a collaboration from Tim Heidecker (of the absurdest comedy "Tim and Eric Awesome Show, Great Job!") and the series' composer, Davin Wood.
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